Tennis Instruction Heaven
Learning Sites and Master Professional Tips To Improve Your Game
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We have many reqests for technical tennis information and training programs, so we are going to post some here, as well as provide you with the best online resources.

LINKS

  • The best site for cutting edge tennis stroke information by far is John Yandells Tennisplayer.net

There is a fee but it is worth it; his team does high speed filming of all the top pros, puts out detailed yet open minded instruction articles, plus a ton of instruction by other teachers on every topic. They even have 3-D models of stick figures with all biomechanical possibilites evaluated. Far and above all the other sites in terms of depth and solid scientific anaylsis. Each topic has appropriate video footage cycling over to clarify the discussion.

There are a few good videos on UTube but these freebies are unreviewed by peers, the ideas are usually one person's interpretation, and even if they are a teaching pro, the information might not be what you need for your level of play.

The best method is to ask around, find the best local teacher, usually a certified USPTA www.uspta.org or PTR member, and spend time studing with them one on one. The USPTA is the oldest and the largest organization with a website that allows you to find a local teacher. To really improve you need  a program of coaching, regular practice and match play in leagues and tournaments You need the experience of matches, combined with the training, solid strokes and strategy,  constantly refining your skill while working with a highly experienced mentor.

 

It only takes ten thousand balls to get good.

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Serving- The first skill is learning to toss the ball to the ideal contact point. There are many ways to do this, as every player finds a method that works for them. Every pro does it a bit differently, but there are cetain basics that are universal:  It is more of a lift from the shoulder than a hand flip, the hand and arm continue up under the ball after release, the arm continues up to a vertical follow thru for an instant.

You can toss directly to the net post (45 degrees into the court) or bring it around in an arc into the court. Watch 4 pros and you'll see 4 different movements; it is the end result that matters.

The timing can be toss arm first, racket arm movement first, both together or any combination of the two. Individual variation is a feel, a choice of style more than function. Experiment and see what works for you.

You can hold the ball in the fingers, with the palm under, the hand sideways or down,  or gently rest the ball lower in the palm (like a birds nest) with minimal finger use. The main thing is to use large muscle groups, not fine motor muscles(i.e. the fingers), and feel like you are lifting with the legs and shoulder. Make it automatic, not too deliberate.

The ideal toss height will set the rhytmn of the serve so about 6 inches over contact usually gives time for a full body-coil without too much pause. High tosses have servers time/ hit a falling ball, give too much time to lose balance and are weak in the wind.

Placement of the toss is into the balance point off the right (front)shoulder, into the court about four to eight inches in front of the front foot.

As 80% of the energy in the serve is upward, with 20% forward, a coordinated toss and wind up allows the player to uncoil upward. We want to hit up vertically to get over the net, and pronate out sideways to get spin to pull the ball down. Hit up and out, with a loose continental grip.

The serve is a full body throw, the longest and loosest swing in the game, so make a full-out arc. The harder you serve the more spin you need to control it. Learn to make the ball bend and arc into the court, getting easy power from a natural unwinding of body segments.

 

 

Tennis: the game for Lifetime Fitness, for the young and old.

Zen-Tennis Tip of The Month- Let it disappear

Learn to not watch the ball......going back that is. Watch it and focus as the ball comes into the racket, not out. Everything follows the eyes; if you watch your outgoing ball go back ,you pull your head up, your weight up, your racket off the contact zone. Get in the habit of keeping your vision on the contact point by looking at your racket edge, not the outgoing shot, after contact. You can have the best practice stroke in the world but you have to discipline yourself to be still in the split second of contact. Keep your eye off the ball. Make your head turn part of the stroke, all the way in. It is the last 3-4 feet where you have to let your eyes focus in the short range, not use periphial vision. Keep your eye on the blur. Let the ball disappear when you hit and not reappear until your opponnent hits it. See the seams rotating. Watch the ball off the court to measure the height of the bounce to get under it enough .................let it disappear as you exhale and extend out to a full range follow through.

Master TIP-Simplify Your Targets

Use the centerstrap as an axis, a compass for all your shots; you can hit 80% of your shots either at or within FOUR FEET of the center strap, no exaggeration. This includes serving and returning. Don't play the player- play the ball within the dimensions of the court and let the player be third in importance; Play the ball first (concentration), play within the court(shot selection). Only after you master this will you avoid beating yourself through unforced errors. Then you can begin to look at strategy and tactics, but it all still happens within 4 or 5 feet of the center strap.

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Master Tip----Groundstroke Contact Point Differences

Did you know the forehand and backhands have different contact points? The forehand is hit a good 4-6 inches or more further away from the body, even with the front foot, with an eastern grip. The backhand is hit four or more inches in front of the front foot, and closer to the body. Understanding this means everything as you move to hit a ball; you have to stop lateral movement sooner, give yourself more swinging room on the forehand. You have to get ready earlier, more in line with the ball on the backhand. Club players are late on backhands becasue they time the shot preparation the same as the forehand; in addition the backhand requires more shoulder turn, which takes more time as well. To get a solid unloading in each hit we teach students to get max shoulder turn and racket drop at the bounce of the ball.

Using the non-hitting arm as an extended measuring stick really helps on the forehand, and provides a balance to the swinging arm.

Hitting on the Move---Advancing to Intermediate Levels

One of the crucial things for players to understand is how footwork affects balance. Beginners are taught a static step-and-swing to a dropped or fed ball. To progress into intermediate tennis players have to be able to master their own momentum, with three different hitting balances:

  1. moving, side skipping and stopping completely      ...... say for a ball 4-8 feet away
  2. side skipping and running, half-braking, holding your balance while hitting   ....for a ball 8-12 feet away, falling to the outside foot for the final braking and recovery
  3. running through a shot  for a ball 15 or more feet away, with no braking until a step or two after through the shot 

Each of these shots have different dynamics and require an adjustemt of the feet and the swing. They could be considered offensive, neutral and defensive, as balance and control of the swing typically decreases with more momentum. I drill my students on these as soon as they are ready for games. The mantra is "The more you run the less you need to swing". The drill is balls tossed from the baseline forward with students chasing; they will quickly learn not to overhit when on the run, a common error.

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